Three Billboards Outside Ebbing, Missouri picked up four nominations, which is extra impressive, as there are only six theatrical categories. The Golden Globes nominations are the second major Awards Season set to come out. Sort of. WGA announced the nominations for TV, radio, etc. It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites.
Coco remains the number one movie at the box office this weekend by a considerable margin, mainly due to a lack of serious competition from new releases. It still has some big openings to come, including Brazil, Korea, the UK, and Japan in January, so it has some way to go, although its progress will be eclipsed by The Last Jedi for the next few weeks.
It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. This is the fourth best of the year so far. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not.
You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. The weekend after Thanksgiving is usually when the studios take a breather before the big Christmas season, and this year is no different, with no new wide releases, and relatively minor shuffles on screen use at the theaters.
Coco is leading the way, which no one should be terribly surprised by. This is almost exactly as I predicted and more than enough to make Disney very happy. Normally, we only mention films that have ten or more reviews on Rotten Tomatoes.
However, this week there are only seven films in total, so we might as well talk about them all. In fact, there are several films worth checking out. The Man Who Invented Christmas is the widest release, opening in over theaters. The Independent Spirit Awards nominations were announced yesterday and thus the Awards Season begins.
This is amazingly good timing. Follow us on. Call Me by Your Name Supporting Cast Michael Stuhlbarg Mr. Home Market Releases for February 27th, February 27th, It is a great week on the home market with several Oscar contenders making their home market debuts. Weekend Estimates: Disaster Artist Hits, Just Getting Started Misses December 10th, Coco remains the number one movie at the box office this weekend by a considerable margin, mainly due to a lack of serious competition from new releases.
Theater Averages: Awards Season is Shaping Up December 6th, It was another stellar weekend at the box office, at least as far as the theater average chart was concerned.
Weekend Estimates: Coco Wins, Limited Releases on Fire December 3rd, The weekend after Thanksgiving is usually when the studios take a breather before the big Christmas season, and this year is no different, with no new wide releases, and relatively minor shuffles on screen use at the theaters.
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For more information, please contact us at research the-numbers. Jackson Robert Downey, Jr. All rights reserved. Google Play. November 24th, Limited by Sony Pictures Classics. Show all releases. February 27th, by Sony Pictures Home Entertainment. R for sexual content, nudity and some language. Best Picture Oscar Nominees, vs. Daytime opening hours. Monday to Friday 12 noon-3pm.
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Terms and conditions for visiting companies may differ. We ask that you do not attend any event if you are unwell or have a temperature. And the earlier film came as the highest profile gay male romance ever released on this scale at the height of the specialized division era. The reality is that at , SPC has reached close to the saturation point when it can hope to attract much business.
Some smaller towns with fewer screens still have several weeks to play the film. Advertising costs can raise expenses to the point where the extra gross raised remember a distributor only gets a less than half share is more than the money returned. At the end of the day, the point is to make a profit. Through their combined power with access to mainstream Sony, selling rights to their territories will make money for them throughout the world. That was another reason to target a late-year release to maximize Oscar nomination chances — vital for making the film more playable in many territories.
And their access to Sony deals on cable and other outlets also ensures them revenues not as readily available to totally independent distributors.
That gets them close to making a profit when later revenues add in. Bernard and Barker have survived for 25 years running SPC and were an active management team for another decade before. Their long-term survival comes in part from frugality and not throwing money at movies solely to increase the appearance of a robust domestic box office.
One can quibble with aspects of their release. Did they adequately do marketing and outreach to core groups interested in the film? SPC sometimes takes on chasing improbable Oscars.
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